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The Big Book, by W. Eugene Smith, John Berger
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W. Eugene Smith, an icon in the field of twentieth-century photography, is best known as the master of the humanistic photographic essay. Smith’s most expressive and frequently reproduced images—World War II combat, the country doctor and nurse-midwife, Pittsburgh, Albert Schweitzer in Africa, rural Spanish villagers, and the mentally ill in Haiti—have altered our perception and understanding of the world.
In 1959, Smith became obsessed with creating an extended photo-essay that he called “The Big Book,” a complex retrospective of his work that would reflect his philosophy of art and critique of the world. Smith’s layout grouped photographs out of context and chronological order to form a series of connected “visual chapters and subchapters” that were intended to have a Joycean or Faulknerian literary quality. After three years of intense labor, Smith completed two handmade folio-sized maquettes to send to publishers. With 380 pages and 450 images, The Big Book was universally rejected as unviable and non-commercial, and it was never published.
Now, five decades later, a facsimile of W. Eugene Smith’s The Big Book, which is part of the Smith Archive at the Center for Creative Photography (CCP) at the University of Arizona, is in print for the first time. Accompanying the facsimile is a supporting volume with a foreword by Dr. Katherine Martinez, Director of CCP; an introduction by William S. Johnson, who arranged Smith’s archive at CCP; an essay by the renowned Swiss critic John Berger; notes on the Smith Collection at CCP by archivist Leslie Squyres and Jennifer Jae Gutierrez; “The Walk to Paradise Garden,” by W. Eugene Smith; and an appendix that maps Smith’s complete layout with titles, dates, and reproductions of each image from original prints. The Big Book is an essential primary source document for the study of both the history of photography and the history of the photobook. This set, in slipcase, will likely be the most comprehensive catalogue of W. Eugene Smith’s work ever published.
- Sales Rank: #794993 in Books
- Published on: 2013-10-15
- Original language: English
- Number of items: 1
- Dimensions: 12.75" h x 2.50" w x 9.75" l, 10.00 pounds
- Binding: Hardcover
- 341 pages
Review
Gene Smith taught me how to print when I was young. I had always thought he was an interesting journalist photographer, and a kind man. Now I know, to my surprise, that he was a great book artist way ahead of his time.� (John Gossage Photo-Eye Blog 2014-01-04)
About the Author
Born in Wichita, Kansas, in 1918, W. Eugene Smith was a combat photographer during World War II, and worked for" Life "magazine during the 1940s and 1950s, producing more than fifty photo-essays. In the early 1970s, he photographed in Minamata, Japan, a small village affected by industrial mercury poisoning.
Jim Hughes, former editor of" Camera Arts," the "Photography Annual" and" Camera 35," is the author of "W. Eugene Smith: Shadow & Substance,"" Ernst Haas in Black and White," and "The Birth of a Century."
Most helpful customer reviews
11 of 11 people found the following review helpful.
Not really what I was expecting
By R. Katz
As a admirer of Eugene Smith's work (having collected many of his books and one of his portfolios) and courage, I was quite looking forward to this book. It is huge. The two volumes are just a facsimile of the original scrapbook, but not remade from the original photographs. The original scrapbook which was really a photocopy of the time to show potential publishers. So, the quality to say the least is accurate based on the quality and age of the pieces, is poor. The third volume which consists of a few short essays and a typed letter from Smith himself, is fascinating, and the reproductions from the contact sheets of the original photos in the two volumes is of much higher quality. For the money I should have probably passed!
13 of 15 people found the following review helpful.
These books should never have been published. Do not purchase.
By John G. Fisher
These books should never have been published. Gene Smith was a master craftsman who made many significant sacrifices in an effort to control his work. I am sure the effort to show his thought process in forming the "big book" was done with good intentions. However, the result is a disaster, the absolute horrendous reproduction, the minimal text to help provide context, make this an embarrassment for all involved. I am returning my copy. The University of Texas should recall and destroy any remaining copies. If Gene were to see this he would be turning over in his grave.
8 of 9 people found the following review helpful.
Don't expect beautiful photos
By Earl Mcgehee
This book is a reproduction of a book Smith had assembled in the early 1960s for a retrospective of his life's work. The book was a pasted up scrapbook of photocopies of his original prints. It was created in an unsuccessful attempt to find a publisher for this book. Photocopies at the time were not very good quality and they have degenerated badly over the years. Volume three is the most interesting book in this set because it has a few quality reproductions from original Smith prints and it has high quality thumbnail size reproductions of original prints from each of the photos in the first two volumes. I just wish these books were reproductions of original prints arranged and ordered as they were in Smith's original "Big Book". As it is this book is of historical interest to people studying Smith but not so interesting to those that want to admire his work.
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